Phylicia StitzelDid you know that there are countless tricks to best work your camera to capture some award-winning photos? In this blog, I will go over some of the best ways how to photograph a waterfall for beginners or any aspiring photography enthusiasts!
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Table of Contents
The type camera you use is not absolutely essential, however it is essential to use one that allows you to work the settings manually. To create too long exposures (beyond 30 seconds), you will need a DSLR or Mirrorless camera with the ability to photograph in Bulb mode. I use a Nikon D810 for my photography, which allows me to change lenses, control my exposure, and attach filters.
Lenses
When photographing waterfalls, I tend to prefer using zoom lenses, both wide and telephoto. This allows you to capture more or less of the scene that you want to photograph. It is always good to have options when you are trying to capture the perfect photo. I suggest you take both a wide-angle and telephoto zoom lenses to photograph waterfalls.
Strong flowing waterfalls can release a lot of moisture into the air, which might land on the front of your lens or even potentially damage your equipment. Use a telephoto lens such as Nikon 70-200mm f/2.8G VR II to photograph falls from a distance and a wide-angle lens such as Nikon 16-35mm f/4.0 VR if the falls are smaller and you are standing close to them.
Use a slow shutter speed
To capture that perfect “eerie” effect on a waterfall, you need to use a very slow shutter speed that will be upwards of several seconds. You want to use a slow shutter speed because it will make the subject appear smooth and blurry, which is precisely what you want. Fast shutter speeds only freeze the running water when you can see “bubbling.”
Use a tripod
If you want to capture moving water and make it look smooth and elegant, you must use a tripod. Because of the long exposure time for many, it is nearly impossible to handhold the camera without seeing the camera shake in your photo. I’ve done it once, but it was rather uncomfortable, so save yourself the pain with a tripod. Before I invested in a tripod, I used to use a stone or any other object I could find, but it was somewhat limiting. If you do not yet have a tripod, I highly recommend getting one as soon as possible.
Change Aperture to a Larger Number
Stopping down or increasing the f/ number will limit the amount of light that is absorbed through the lens. If your shutter speed is too high, try changing the aperture to a larger number like f/16 or even as high as f/22, if necessary. Changing the aperture is the last thing you can try on your camera if you do not want to spend the money on a good ND filter.
Use the Lowest ISO
You must continue decreasing your shutter speed once you set your camera on a tripod. lowering the camera ISO to the smaller value, like ISO 100, will increase image quality and reduce the shutter speed. For example, lowering camera ISO from ISO 400 to 100 on a DSLR decreases the shutter speed by three full stops, so if you were shooting at 1/250th of a second, you would end up with a shutter speed 1/10th of a second.
Use a Neutral Density Filter
This is what we call troubleshooting. If you have already tried decreasing your camera ISO to the lowest number and you have already adjusted your aperture to the largest f/ number you still cannot get to multiple seconds of exposure. This means that you are most likely shooting in bright-day conditions, and still, too much light enters through the lens.
The only way to decrease the amount of light going through the lens is to use a filter in front of the lens that blocks a large portion of incoming light. “ND” or “Neutral Density” filters are specifically designed for this purpose – only to let a small amount of light into the lens to decrease the camera shutter speed. There are many different types of Neutral Density filters out there, and most of them differ by the amount of light they let through.
Post-Processing
I always suggest shooting in RAW. Because you have more control over the final image without damaging the file. So, open that smooth waterfall photo in your favorite image editing program and tweak the RAW file to ensure the exposure, white balance, and other factors are perfect.
If you’re still not happy with the level of blur in the water, the Photoshop blur tool can smooth it out a bit as well. However, I suggest you challenge yourself and try to capture the perfect image on camera rather than rely on post-processing. This will help make you a better photographer.
One of my favorite things to capture is waterfalls. They are beautiful, eye-catching images, no matter how often they are photographed. It also presents a fun challenge to photographers—smoothing out the water with a long exposure during the daytime is quite tricky, but with the right camera settings, it’s possible to take photos that make people ask, “How did you do that?”
Just remember that there is no magic number to set your aperture and shutter speed to get a perfect long-exposure water photograph. A shutter speed of a few seconds might be all you need to get the look you are after – it is all about practice. Practice makes perfect, and you will learn the different weather conditions and how to use your camera accordingly.
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